5 Things I Wish I Knew About Novica The Arts And Crafts Of Social Venturing —And How Not To Let Bad Things Get Lost In Your Finearingly Good Or Bad Neighborhood When you’re anchor American” and ready to lay claim to something you share — a craft or a lifestyle plan — then you probably don’t buy into a brand. You just don’t apply for it at the store. Like those of you who still see stores using names like “Makeshift Community Centre” or “The Community Center for the Blind,” I was skeptical. But when I came to Chicago, I knew there was more to my business than what I’ve been taught in the arts. I have just been working on a new program as a junior at Mennonite College.
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I have launched the nonprofit “All About Crafts,” seeking to educate the public about the various arts we are part of. It isn’t entirely clear how deep it’s going, but I think it will be a hit. On the one hand, Mennonite College is young and beautiful. I was raised in a Catholic community. Mennonite College isn’t one of the oldest colleges in our community.
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Nor is it in the “No Praying Circle” that I remember from the time I applied by choice. A quarter century ago, Mennonite College launched a social enterprise called “Mardi Gras.” The annual festival drew 50,000 to be exact. The celebration raised funds to support the Sutter Community Chant Center and a 12-hectare college for women and children at the center. The community center has grown to 20 seats.
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Or at least it has since. The campus of Mennonite College is an amalgam of some 50 acres of grassy marshland and an 18-acre pool of green space. To the east of me I can look the massive green house. To the right of the green house is a small, wooden building called a farmhouse in the garden. The farmhouse is partly built out of a landfill, and partially on a sandstone patch of plain on a limestone plateau.
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Backdrops are framed by local houses there for community events, galleries and local activities. The green house is owned and built in the early 1960’s by a family who had fled the hard-liner crime families in their home community in Lincoln Township, Illinois. There they hoped to open up their farmhouse as a museum, but once it was built, the family went its own way and moved. The family eventually came to become one of the first people that the city could invite to its annual “I Came Here for You Cascades Celebration,” a gathering space outside the farmhouse. The house serves as a gathering place, where everyone could share their love of local art.
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Over time, I discovered I needed to buy into this dynamic and thoughtfully cultivated community. So I decided to build a space of my own. But in looking outside for a place a little more exotic and more alive, I stumbled upon a building that is a gem from my childhood. I opened it up. “No Pile of Shit,” the voice of our high school history teacher went in.
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“Oh god, no Pile of Shit.” It wasn’t the type of opening that usually caused headaches. But it was the opportunity rather than the thing I wanted to paint over the walls. The room is an art museum, a barn with a painting in it. The interior, black canvas,